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The metopes have a purely warlike theme, like the decoration of the chryselephantine statue of Athena Parthenos housed in the Parthenon. It seems to be an evocation of the opposition between order and chaos, between the human and the animal (sometimes animal tendencies in the human), between civilization and barbarism.
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
The new building was not intended to become a temple, but a treasury meant to house the colossal chryselephantine statue of Athena Parthenos. [1] It is even likely that the statue project preceded the building project. [9] This was an offering from the city to the goddess, but not a statue of worship: there was no priestess of Athena Parthenos. [7]
The Elgin Marbles, or Parthenon Sculptures, come from the temple of Athena on the Acropolis in Athens, Greece – and continue to represent one of the longest-running controversies concerning the ...
Sometime after the Parthenon was converted to a Christian church in the 6th-century CE, the metopes of the north, west and east facades of the Parthenon were defaced by Christians in order to remove images of pagan deities. The damage was so extensive that the images on the affected metopes often can't be confidently identified. [77] [78]
The Parthenon (/ ˈ p ɑːr θ ə ˌ n ɒ n,-n ən /; Ancient Greek: Παρθενών, romanized: Parthenōn [par.tʰe.nɔ̌ːn]; Greek: Παρθενώνας, romanized: Parthenónas [parθeˈnonas]) is a former temple [6] [7] on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena.
The Parthenon frieze is the defining monument of the High Classical style of Attic sculpture. [31] It stands between the gradual eclipse of the Severe style, as witnessed on the Parthenon metopes, [32] and the evolution of the Late Classical Rich style, exemplified by the Nike balustrade.
Kalamis, a Greek sculptor, is attributed to designing the west metopes of the Parthenon, a temple on the Athenian Acropolis dedicated to the Greek goddess Athena. [ 6 ] [ 7 ] The west metopes of the Parthenon depict a battle between Greeks and Amazons.
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