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This category contains typefaces in the old style serif classification, including both Venetian and Garalde varieties. These faces date back to 1465 and are reminiscent of the humanist calligraphy. This is not for any "old" typeface, such as old English or Fraktur. For that, please see Category:Blackletter typefaces.
Old Style, later referred to as modernised old style, was the name given to a series of serif typefaces cut from the mid-nineteenth century and sold by the type foundry Miller & Richard, of Edinburgh in Scotland. It was a standard typeface in Britain for literary and prestigious printing in the second half of the nineteenth century and the ...
Class: Old style : Garamond Designer: Claude Garamond & Jean Jannon Class: Old style : Gentium Designer: Victor Gaultney Class: Other : Georgia Designer: Matthew Carter Class: Transitional : Goudy Old Style Designer: Frederic Goudy Class: Old style : Granjon Designer: George Wallace Jones Class: Old style : Hoefler Text Designer: Jonathan ...
Caslon's slightly bracketed serifs and old-style irregularity were not novel, but a precise cut and perpendicularity gave legibility to the forms. Caslon's italic structures follow the Fell italics, but at a condensed width and with conventional branching from stems. William Caslon's prodigious output was influential worldwide.
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
An old-style font normally has a left-inclining curve axis with weight stress at about 8 and 2 o'clock; serifs are almost always bracketed (they have curves connecting the serif to the stroke); head serifs are often angled. [14] Old-style faces evolved over time, showing increasing abstraction from what would now be considered handwriting and ...
The top design (Baskerville Old Style in the common Microsoft release) is more suitable for headings and that below (Berthold's) with its thicker strokes for body text. Baskerville Old Style is based on Fry and Moore's recreation, distinguishable by the slightly different curve of its 'a'.
Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text.It is a member of the "old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman".