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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
A number of celebrities, including Marilyn Monroe, [13] [14] Alice Cooper, [15] and Deanna Durbin, [16] referred to themselves in the third person to distance their public persona from their actual self. Mary J. Blige, in her song "Family Affair", introduces herself in the third person.
This category contains articles about novels which use a third-person narrative structure; a mode of storytelling in which the narration refers to all characters with third person pronouns like he, she, or they, and never first- or second-person pronouns. The narrator can be omniscient or limited
The third persona is the implied audience which is not present in, or is excluded from, rhetorical communication. This conception of the Third Persona relates to the First Persona, the "I" in discourse (a speaker and their intent), and the second persona, the "you" in discourse.
A collective note is a letter delivered from multiple states to a single recipient state. It is always written in the third person. [6] The collective note has been a rarely used form of diplomatic communication due to the difficulty in obtaining agreements among multiple states to the exact wording of a letter. [7]
Sep. 29—Gale Sayers, the late, great halfback of the Chicago Bears, wrote a book called I am Third. The title referred to what he said was his approach to life: "The Lord is first, my friends ...
The third-person effect [1] hypothesis predicts that people tend to perceive that mass media messages have a greater effect on others than on themselves, based on personal biases. The third-person effect manifests itself through an individual's overestimation of the effect of a mass communicated message on the generalized other, or an ...
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