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Angel chimes. Angel chimes, also known as angel-abra, [according to whom?] are a form of Christmas decoration popular in Europe and North America. [1] They apparently have the same origins as the Christmas pyramid, which functions on the same principle. They differ from these, primarily, in being mass-produced from metal and might have bell ...
This angel, not officially identified as Moroni, was a metal weathervane with gold leaf on the trumpet. It was designed by William Weeks (architect of the Nauvoo temple) and installed in January 1846. [43] This figure was positioned in a flying horizontal position holding an open book in one hand and a trumpet in the other.
On the two side shutters, angels play musical instruments, five on each side. In the left panel the instruments are, from left to right, a psaltery, a tromba marina, a lute, a trumpet and a shawm. In the right panel, from left to right, there are a straight trumpet, a looped trumpet, a portative organ, a harp and a fiddle. [3]
The Ore Mountain folk art angel figures excel in their great depiction as a small-size version. [1] The first carved angels can already be found at the end of the 15th century. To cover the increased demand for Christmas angels due to the spread of Christmas customs, turners from Seiffen developed a lathed angel figure in 1830. The figure held ...
We do need to go back in time a bit, but it's a surprisingly modern tale given how long Christmas has been celebrated. So, let's crack open the history of the Christmas nutcracker! Sanja Baljkas ...
When their long shift was over the moon was already in the sky. In order to light the way for their menfolk in the dark winter's night, the women placed the Light Miner (Lichterbergmann) and the Light Angel (Lichterengel), as the figures were called, in the windows. The angel became a symbolic figure for the pious mining folk of the Ore Mountains.
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The same sector of the background depicts the annunciation to the shepherds by a flying angel. Finally, painted above a lake landscape with ships among hills and mountains, a layman and a clerk observe the scene: they symbolize the main institutions backing the orphanage.