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Mezzo-soprano: middle-upper: Between soprano and alto Passaggio: crossing: A vocal range Soprano: upper: The highest vocal line Soprano sfogato: unlimited soprano: A soprano who has extended her upper range beyond the usual range of a soprano Spinto: pushed: A forceful voice, between the lyric and dramatic in weight Spinto soprano: pushed soprano
Pages in category "Dance forms in classical music" The following 62 pages are in this category, out of 62 total. This list may not reflect recent changes. ...
Experimental music theatre – Work that combines elements of music, theatre, and often other arts, emphasizing innovation, avant-garde techniques, and the exploration of new forms of expression. Musical theatre – Theatrical performance combining music, songs, spoken dialogue, and dance.
D 135, German Dance with Trio in E major for piano (1815; 1st version of the Waltz in E major, D 146 No. 3, with a different title) D 139 , German Dance in C ♯ major with Trio in A major for piano (1815)
A mezzo-soprano (Italian: [ˌmɛddzosoˈpraːno], lit. ' half soprano '), or mezzo (English: / ˈ m ɛ t s oʊ / MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e.
Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra; Three Poems of Edna St. Vincent Millay (2007), for voice & piano; Songs Old and New (2008), for soprano & orchestra; Four Sonnets of Shakespeare (2008), for tenor & piano; Sonnet 144 (Two Loves I Have) (2010), for soprano, mezzo-soprano, & piano
The original author of the music may be Josef Mysliveček. A slightly different version of the aria appears with the text "Il caro mio bene" in a manuscript of Mysliveček's Armida (1779). Cesare Olivieri, Il trionfo della pace [1] between 1772 and 1775 178: 417e "Ah, spiegarti, oh Dio" (Score/Crit. report) Aria for soprano and orchestra (piano ...
The cycle Shravana for mezzo-soprano, cello and piano is music in five movements for different combinations of the three performers, all with Buddhist overtones. Gate Paragate; Om Tare; Vajrakilaya; Vokalise; Vaidurya; It was first performed at the Gasteig on 12 March 2022 by Anna-Doris Capitelli, the composer and Miku Nishimoto-Neubert. [5] [10]