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The Dutch Tachtigers explicitly tried to incorporate Impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist" literature is subsumed into several other categories, especially Symbolism, its chief exponents being Baudelaire, Mallarmé, Rimbaud, Verlaine and Laforgue, and the Imagists. It ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Romantic psychology was not so much an application of the theses of philosophical Romanticism to the field of psychology as a particular development of the Romantic philosophy of nature. [3] The creed of this philosophy proclaimed the unity of the world and man in an organic and cosmic totality, which excluded all dualism. [3]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Jules Laforgue (French: [ʒyl lafɔʁɡ]; 16 August 1860 – 20 August 1887) was a Franco-Uruguayan poet, often referred to as a Symbolist poet. Critics and commentators have also pointed to Impressionism as a direct influence and his poetry has been called "part-symbolist, part-impressionist". [1]
In the artistic-literary environment of the Barcelona brewery Els Quatre Gats, Picasso came into contact with impressionism, the Nabis, the English symbolists (Burne-Jones, Whistler, Beardsley), the philosophy of Nietzsche and Schopenhauer, the literature of Ibsen, Strindberg and Maeterlinck, and the music of Wagner. [229]
Walter Horatio Pater (4 August 1839 – 30 July 1894) was an English essayist, art and literary critic, and fiction writer, regarded as one of the great stylists.His first and most often reprinted book, Studies in the History of the Renaissance (1873), revised as The Renaissance: Studies in Art and Poetry (1877), in which he outlined his approach to art and advocated an ideal of the intense ...
Young Poland (Polish: Młoda Polska [ˈmwɔ.da ˈpɔl.ska] ⓘ) was a modernist period in Polish visual arts, literature and music, covering roughly the years between 1890 and 1918. It was a result of strong aesthetic opposition to the earlier ideas of Positivism. Young Poland promoted trends of decadence, neo-romanticism, symbolism ...