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A Sportsman's Sketches (Russian: Записки охотника, romanized: Zapiski ohotnika; also known as A Sportman's Notebook, The Hunting Sketches and Sketches from a Hunter's Album) is an 1852 cycle of short stories by Ivan Turgenev. It was the first major writing that gained him recognition.
Ivan Sergeyevich Turgenev (/ t ʊər ˈ ɡ ɛ n j ɛ f,-ˈ ɡ eɪ n-/ toor-GHEN-yef, - GAYN-; [1] Russian: Иван Сергеевич Тургенев [note 1], IPA: [ɪˈvan sʲɪrˈɡʲe(j)ɪvʲɪtɕ tʊrˈɡʲenʲɪf]; 9 November [O.S. 28 October] 1818 – 3 September [O.S. 22 August] 1883) was a Russian novelist, short story writer ...
Fathers and Sons (Russian: «Отцы и дети»; Otcy i deti, IPA: [ɐˈtsɨ i ˈdʲetʲi]; pre-1918 spelling Отцы и дѣти), literally Fathers and Children, is an 1862 novel by Ivan Turgenev, published in Moscow by Grachev & Co on 23 February 1862. [1] It is one of the most acclaimed Russian novels of the 19th century.
Turgenev started to work on it in 1855, and it was first published in the literary magazine "Sovremennik" in 1856; several changes were made by Turgenev in subsequent editions. Rudin was the first of Turgenev's novels, but already in this work the topic of the superfluous man and his inability to act (which became a major theme of Turgenev's ...
Torrents of Spring, also known as Spring Torrents (Russian: Вешние воды Veshniye vody), is an 1872 novella [2] by Ivan Turgenev.It is highly autobiographical in nature, and centers on a young Russian landowner, Dimitry Sanin, who falls deliriously in love for the first time while visiting the German city of Frankfurt.
A Month in the Country (Russian: Месяц в деревне, romanized: Mesiats v derevne) is a play in five acts by Ivan Turgenev, his only well-known work for the theatre. [1] Originally titled The Student , it was written in France between 1848 and 1850 and first published in 1855 as Two Women .
the first has somehow, in some way, been my best year yet. So, as I often say to participants in the workshop, “If a school teacher from Nebraska can do it, so can you!”
One of the major concerns for Turgenev at the time of publication was his anticipated reception from the public on the one hand and the censor on the other; he expected, for instance, that his depiction of Populism and its adherents (seen as good people inherently, but unfortunately undertaking a path that Turgenev saw as not conducive to success) would gain a critical reception as hostile in ...