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The book describes a near-death experience Alexander had while suffering from what should have been a fatal case of acute, gram-negative Escherichia coli bacterial meningitis, while on a ventilator and in a near death coma for one full week, with death eminently predicted by his medical experts - Alexander describes how the experience changed ...
The poem, in addition to being about Naomi Ginsberg’s life, is Allen Ginsberg’s reflection on the meaning of life and death. At many points throughout the poem, Ginsberg comments on the approach of his own death. He also talks about other members of his family and events that surrounded his life with his mother, such as the Great Depression.
Cicero also concluded that death was either a continuation of consciousness or cessation of it, and that if consciousness continues in some form, there is no reason to fear death; while if it is in fact eternal oblivion, he will be free of all worldly miseries, in which case he should also not be deeply troubled by death.
The belief in the rebirth after death became the driving force behind funeral practices; for them, death was a temporary interruption rather than complete cessation of life. Eternal life could be ensured by means like piety to the gods, preservation of the physical form through mummification , and the provision of statuary and other funerary ...
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
If death is not only a stoppage of the heart but a flatlining of brain waves, it's hard to explain how people who flatlined on the operating table can revive and describe to the doctors what they ...
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
This long poem was Ginsberg's attempt to mourn his mother, Naomi, but also reflects his sense of loss at his estrangement from his born religion. The traditional Kaddish contains no references to death, but Ginsberg's poem is riddled with thoughts and questionings of death.