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Grotesque No. 9 reached phototypesetting and Letraset dry transfer lettering and, unlike many of the other Stephenson Blake Grotesques, has been digitised in several releases. [ 27 ] In the United States Roger Black , a prominent publication designer, discovered it in 1972 from a Visual Graphics Corporation phototypesetting catalogue, and came ...
Examples of grotesque typefaces include Akzidenz-Grotesk, Venus, News Gothic, Franklin Gothic, IBM Plex and Monotype Grotesque. Akzidenz Grotesk Old Face, Knockout, Grotesque No. 9 and Monotype Grotesque are examples of digital fonts that retain more of the eccentricities of some of the early sans-serif types. [10] [11] [12] [13]
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
However, more modernized fonts of the Gebrochene Grotesk type such as Tannenberg were in fact the most popular typefaces in Nazi Germany, especially for running text as opposed to decorative uses such as in titles. These fonts were designed in the early 20th century, mainly the 1930s, as grotesque versions of blackletter typefaces. The Nazis ...
Class: Grotesque : Century Gothic Class: Geometric : Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin ...
In typography, the Vox-ATypI classification makes it possible to classify typefaces into general classes. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI) and in 1967 as a British Standard, as British Standards Classification of Typefaces (BS 2961:1967), [1] which is a very basic interpretation and adaptation/modification of the ...
FF DIN is a sans-serif typeface in the industrial or "grotesque" style.It was designed in 1995 by Albert-Jan Pool, based on DIN-Mittelschrift and DIN-Engschrift, as defined in the German standard DIN 1451.
The Stereofidelic font is based on the lettering on a 1960s lounge record, which in turn is an altered version of grotesque sans-serif typefaces, with each letter rotated a small, random number of degrees and/or raised or lowered a small percentage from the baseline to give the appearance of randomness.