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The modern corporate font of Sheffield, Wayfarer designed by Jeremy Tankard, is designed with some influences of the Stephenson Blake Grotesque series but predominantly based on their unrelated sans-serif Granby.
Atkinson Hyperlegible contains four styles, each of 335 glyphs: regular, bold, italics, and italics bold.It supports diacritics in 27 languages. [4]Elliott Scott of Applied Design Works and studio creative director Craig Dobie made the decision "to break a lot of rules that a lot of designers will care about", [1] for instance adding serifs to the uppercase i but not the uppercase tee [2] and ...
Monotype Grotesque is a large family of fonts, including very bold, condensed and extended designs, created at different times. Monotype offered a sans-serif capital alphabet as its fourth typeface cut; others were developed later.
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
Bitstream Cyberbit (free for non-commercial use. 29,934 glyphs in v2.0-beta.) Bitstream Vera (free/open source, limited coverage with 300 glyphs, DejaVu fonts extend Bitstream Vera with thousands of glyphs) Charis SIL (free/open source, over 4,600 glyphs in v4.114) Code2000 (shareware Unicode font; supports the entire BMP. 63,888 glyphs in v1 ...
Pages in category "Grotesque sans-serif typefaces" The following 32 pages are in this category, out of 32 total. This list may not reflect recent changes. A.
The Stereofidelic font is based on the lettering on a 1960s lounge record, which in turn is an altered version of grotesque sans-serif typefaces, with each letter rotated a small, random number of degrees and/or raised or lowered a small percentage from the baseline to give the appearance of randomness. The typeface is all-caps, with no ...
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.