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Thus, the Hoysaleswara temple as it is survives in the contemporary era is a composite of the original Hindu temple architecture and design that was open, to which stone screens with outer walls and doors were added by the 14th-century, whose crowning towers (shikhara) have been lost, and whose ruins were repaired and restored many times in the ...
Profile of a Hoysala temple at Somanathapura. Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India.
The temple is about 16 kilometers (9.9 mi) away from Halebidu Temple. The nearest airport to the temple is Bangalore Airport, from which it is a 220 km (137 mi) long drive of about 3.5 hours on National Highway 75 heading west. [6] The Hoysaleswara Temple is located in Halebidu town in Hassan district of Karnataka state. It is about 30 km (19 ...
La ville d'Halebid a été la capitale du royaume des Hoysalas. Le temple de Hoysaleshwara a commencé à être construit en 1121 et les travaux se sont poursuivis durant des dizaines d'années. Ce temple dédié à Shiva est célèbre pour la qualité de ses reliefs et de ses sculptures.
Architecture of a Hindu temple (Nagara style). These core elements are evidenced in the oldest surviving 5th–6th century CE temples. Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or ...
Indian Temple Architecture: Form and Transformation : the Karṇāṭa Drāviḍa Tradition, 7th to 13th Centuries. New Delhi: Abhinav. ISBN 81-7017-312-4. "Monuments of Bengaluru Circle, Archaeological Survey of India-Various districts of Karnataka". Archaeological Survey of India (ASI). Archived from the original on 25 June 2012
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The reliefs at Hoysalesvara temple show her in many panels, some where she holds a musical instrument (possibly an Alapini veena or eka-tantri vina) and a few she does not. Three panels show her dancing, in a classical Indian dance posture (all are damaged panels, two of these panels is better preserved, the third is badly damaged).