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Albrecht Dürer's woodcut The Last Supper (1523) exemplifies the frontal composition that is customary for this subject. Tintoretto depicted the Last Supper several times during his artistic career. His earlier paintings for the Chiesa di San Marcuola (1547) and for the Chiesa di San Felice (1559) depict the scene from a frontal perspective ...
The Last Supper (Nolde) Conservation-restoration of Leonardo da Vinci's The Last Supper; The Last Supper (Leonardo) Life of Christ (Giotto)
Last Supper, 538 × 487; The Loaves and Fishes, 523 × 475 cm; Resurrection of Lazarus, 541 × 356; Ascension, 538 × 325; Christ Heals the Paralytic or Piscina probatica, 533 × 529 cm; Temptation of Christ, 539 × 330 cm; Ceiling of the Sala delle Quattro Porte, 1578-1581, Palazzo Ducale, Venice Jupiter Proclaims Venus Queen of the Seas, 500 ...
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
Tintoretto, the Last Supper fresco Caravaggio, Boy Peeling Fruit. Events from the year 1592 in art. Events
Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept ...
The Last Supper (1594) Tintoretto's pictorial wit is evident in compositions such as Saint George, Saint Louis, and the Princess (1553). He subverts the usual portrayal of the subject, in which Saint George slays the dragon and rescues the princess; here, the princess sits astride the dragon, holding a whip.
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.