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Compared to Bach's other suite collections, the cello suites are the most consistent in order of their movements. In addition, to achieve a symmetrical design and go beyond the traditional layout, Bach inserted intermezzo or galanterie movements in the form of pairs between the sarabande and the gigue.
Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard.
BWV 1007 – Cello Suite No. 1 in G major; BWV 1008 – Cello Suite No. 2 in D minor; BWV 1009 – Cello Suite No. 3 in C major; BWV 1010 – Cello Suite No. 4 in E-flat major; BWV 1011 – Cello Suite No. 5 in C minor; BWV 1012 – Cello Suite No. 6 in D major
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
Orchestral Suite No. 1: C maj. 2Ob Bas Str Bc 31 1: 3 VII/1: 3 Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied 01252: 1067 11. 1738–1739 Orchestral Suite No. 2: B min. Fl Str Bc 31 1: 24 VII/1: 27 Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie 01253: 1068 11. c.1730 Orchestral Suite No. 3: D maj. 3Tr Tmp ...
C. Cello Suites (Bach) E. ... Orchestral suites (Bach) Overture in the French style, BWV 831; P. Partita for keyboard No. 2, BWV 826; Partita for keyboard No. 4, BWV 828;