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  2. Ambient music - Wikipedia

    en.wikipedia.org/wiki/Ambient_music

    Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.

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  4. Feels So Good (composition) - Wikipedia

    en.wikipedia.org/wiki/Feels_So_Good_(composition)

    In The Big Bang Theory episode The Relaxation Integration, the song is briefly played by Sheldon Cooper in a dream. "Feels So Good" was heard in the 2016 Marvel Studios film Doctor Strange in a scene where Dr. Stephen Strange responds to trivia questions while performing surgery. [16]

  5. Music of the Devil May Cry series - Wikipedia

    en.wikipedia.org/wiki/Music_of_the_Devil_May_Cry...

    The Devil May Cry series has seen the release of seven separate soundtracks. Initially, Capcom was very reluctant to release an officially sanctioned soundtrack for the Devil May Cry series, due to worries that the products would sell poorly.

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  7. Catch Me If You Can (soundtrack) - Wikipedia

    en.wikipedia.org/wiki/Catch_Me_If_You_Can...

    Catch Me If You Can: Music from the Motion Picture is the original soundtrack of the 2002 film of the same name, starring Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen and Amy Adams. The original score was composed and conducted by John Williams .

  8. Music of Howl's Moving Castle - Wikipedia

    en.wikipedia.org/wiki/Music_of_Howl's_Moving_Castle

    Howl's Moving Castle: Symphony Suite is the image album to the film, that was released on 21 January 2004, several months ahead of the film's release. The album featured 10 instrumental pieces from the score, that had been re-arranged and orchestrated to include in the soundtrack. [8]

  9. The Murder - Wikipedia

    en.wikipedia.org/wiki/The_Murder

    The cue was composed for the famous "shower scene", the murder of Janet Leigh's character, Marion Crane. Hitchcock originally wanted the sequence (and all motel scenes) to play without music, [1] but Herrmann insisted he try it with the cue he had composed. Afterward, Hitchcock agreed that it vastly intensified the scene, and he nearly doubled ...