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Scaled dot-product attention & self-attention. The use of the scaled dot-product attention and self-attention mechanism instead of a Recurrent neural network or Long short-term memory (which rely on recurrence instead) allow for better performance as described in the following paragraph. The paper described the scaled-dot production as follows:
The d2 Test of Attention is a neuropsychological measure of selective and sustained attention and visual scanning speed. [1] It is a paper and pencil test that asks participants to cross out any letter "d" with two marks around above it or below it in any order. [ 2 ]
Voluntary attention, otherwise known as top-down attention, is the aspect over which we have control, enabling us to act in a goal-directed manner. [14] In contrast, reflexive attention is driven by exogenous stimuli redirecting our current focus of attention to a new stimulus, thus it is a bottom-up influence. These two divisions of attention ...
The five-paragraph essay is a format of essay having five paragraphs: one introductory paragraph, three body paragraphs with support and development, and one concluding paragraph. Because of this structure, it is also known as a hamburger essay , one three one , or a three-tier essay .
Aldous Huxley is regarded as one of the most prominent explorers of visual communication and sight-related theories. [12] Becoming near-blind in his teen years as the result of an illness influenced his approach, and his work includes important novels on the dehumanizing aspects of scientific progress, most famously Brave New World and The Art of Seeing.
The situation, task, action, result (STAR) format is a technique [1] used by interviewers to gather all the relevant information about a specific capability that the job requires.
[1]: 1 A classic example of a cuing study undertaken to evaluate object-based attention was that of Egly, Driver, and Rafal. [6] Their results demonstrated that it was quicker to detect a target that was located on a cued object than it was to locate the target when it was the same distance away, but on an uncued object.
Kenneth Burke develops the terministic screen in his book of essays called Language as Symbolic Action in 1966. He defines the concept as "a screen composed of terms through which humans perceive the world, and that direct attention away from some interpretations and toward others". [1]