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The Hymnal 1982 had a much expanded service music and chant section, which became necessary with the introduction of the 1979 edition of the Book of Common Prayer. [2] The Hymnal 1982 was approved by both houses of General Convention , the governing body of the Episcopal Church, in 1982.
It includes a collection of Liturgies (revised 1960). A music edition was published in 1975. [523] A version without the liturgy is also available [525] Sing Out Today (1994) a collection of hymns by contemporary writers – words only. The music edition includes writers from the British Province only. [525]
During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church post. [15] Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship.
Created Date: 8/30/2012 4:52:52 PM
Edwin Othello Excell (December 13, 1851 – June 10, 1921), commonly known as E. O. Excell, was a prominent American publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings during the late nineteenth and early twentieth centuries.
Before Hampton's death, Erik Routley, an authority on church music, called Hampton "the greatest living composer of hymn tunes." [2] His settings of the Episcopal liturgy are also used in Catholic churches [citation needed], and his choral works are innovative and challenging pieces of sacred music.
The version of this chant linked to the liturgy as used in the Diocese of Salisbury, the Sarum Use, first recorded from the thirteenth century, became dominant in England [7] and was the basis for most surviving chant in Scotland. [1] It was closely related to Gregorian chant, but it was more elaborate and with some unique local features.
Randall Giles (1950 – August 27, 2010) [1] was an American music composer, Episcopal Church missionary, and ethnographer. [2]He was born in Oregon City, Oregon in 1950. His first studies in composition were with Mark DeVoto at Reed College, after which he took his undergraduate degree at the University of York while studying with Sir Peter Maxwell Davies in London.