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The song also became ABBA's second Top 20 hit in the United States, peaking at #15. [16] [17] As of September 2021, it is ABBA's 19th-biggest song in the UK, including both pure sales and digital streams. [18] Chicago radio station WLS, which gave "SOS" much airplay, ranked the song as the 61st biggest hit of 1975. [19]
ABBA were perfectionists in the studio, working on tracks until they got them right rather than leaving them to come back to later on. [143] They spent the bulk of their time within the studio; in separate 2021 interviews Ulvaeus stated they may have toured for only 6 months [ 144 ] while Andersson said they played fewer than 100 shows during ...
ABBA: Let the Music Speak describes "Elaine" as a "bold and brazen up-tempo number", adding that it has a "wealth of treated synth effects". The pace remains the same throughout the song, and the intro has a "melodic riff that is squeezed and contorted over a series of suspended chords". This is followed by a "whistlable refrain". [2]
It was the first ABBA album to be mainly recorded at Polar Studios in Stockholm, and the only ABBA album to include a studio recording made outside Sweden: the instrumental backing track for the title track was partly recorded at Criteria Studios in Miami. Voulez-Vous was first released on CD in 1984.
ABBA perform parts of the song live in the 1977 film ABBA: The Movie. The Australian film Muriel's Wedding (1994), features "Waterloo" in a pivotal scene in which lead Toni Collette bonds with the character played by Rachel Griffiths. The film's soundtrack, featuring five ABBA tracks, is widely regarded as having helped to fuel the revival of ...
Therefore, the decision was made to release "Lay All Your Love on Me" in limited territories in 12-inch form, as opposed to the standard 7-inch record. It peaked at No. 7 in the UK, becoming ABBA's lowest charting single since "I Do, I Do, I Do, I Do, I Do" in 1975. However, reaching No. 7 in the charts was, at the time, the highest charting ...
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ABBA: Let The Music Speak notes that this song was an "uninspired attempt at laid-back R&B", adding though that the song gave Agnetha and Frida some isolated moments by way of their "'echo' vocals". [1]