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When I Was a Boy is a 1993 album by Jane Siberry. Internationally, it is her most famous album. Internationally, it is her most famous album. In Siberry's native Canada , however, the album was commercially successful but not as big a hit as her 1985 album The Speckless Sky .
"If I Were a Boy" is a song written by BC Jean and Toby Gad and originally performed by Jean in 2008. [1] The song gained international attention the same year in a version by the American singer Beyoncé, from her third studio album I Am... Sasha Fierce (2008). Jean and Gad also handled its production alongside Beyoncé.
"When I Was Young" is a song released in March 1967 by Eric Burdon and the Animals; it was written by five of the band members – Eric Burdon (vocals), Barry Jenkins (drums), John Weider (guitar/violin), Vic Briggs (guitar), and Danny McCulloch (bass) – and was the first release to feature this lineup.
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"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
"Anyway, Anyhow, Anywhere" has a significant similarity to "Out in the Street", which appears on their debut album My Generation.Both songs feature a three-chord strum before "blasting into an uptempo rhythm"; [6] Despite this, "Out in the Street" is a marginally older song, and both tracks originate from the same recording sessions between 13 and 14 April 1965. [7]
Live versions of the song sometimes lasted nearly an hour, and performances at the San Francisco Fillmore Auditorium "were a huge influence on the city's jam bands". [19] Bishop recalled, "Quicksilver, Big Brother, and the Dead – those guys were just chopping chords. They had been folk musicians and weren't particularly proficient playing ...
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. [2] His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.