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Samba no pé (literally, "samba in the foot") is a solo dance that is commonly danced impromptu when samba music is played. The basic movement involves a straight body and a bending of one knee at a time. The feet move very slightly - only a few inches at a time. The rhythm is 2/4, with 3 steps per measure. It can be thought of as a step-ball ...
The volta (plural: voltas) (Italian: "the turn" or "turning") is an anglicised name for a dance for couples that was popular during the later Renaissance period. This dance was associated with the galliard [ 1 ] and done to the same kind of music.
The movement's emphasis on art clashed with the media's need for mass appeal and marketability. Tropicália additionally had an image of sensuality and flamboyance. This was a protest to the reinstated oppression of Brazil's military rule in the 1960s, and an additional cause for media pushback.
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This is the main list of dances.It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances.
Samba (Portuguese pronunciation: ⓘ) is a name or prefix used for several rhythmic variants, such as samba urbano carioca (urban Carioca samba), [1] [2] samba de roda (sometimes also called rural samba), [3] amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.
A tail (i.e. a closing section appended to a movement) codetta A small coda, but usually applied to a passage appended to a section of a movement, not to a whole movement col or colla with the (col before a masculine noun, colla before a feminine noun); (see next for example) col canto with the singer, see also colla voce col legno
Rebita (or Massemba) is a traditional music and dance from Angola. [1] It is a genre of music and dance in which a circle of couples, led by a coordinator in the middle, dance in a traditional movement called Massemba.