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Two appreciations by Joris Carl Huysmans: on the Tauberbischofsheim Altarpiece crucifixion (from Là-bas) and on the Isenheim Altarpiece (from Trois Primitifs). "Encounter with Grunewald," in Currents in Theology and Mission, Feb, 2004, by Roy A. Harrisville – Useful summary of the history of the reception of the painting
Panel of the Tauberbischofsheim Altar: Crucifixion Panel of the Tauberbischofsheim Altar: Christ Bearing the Cross. The Tauberischofsheim Altarpiece (earlier known as the Karlsruhe altarpiece or Karlsruhe panels; German: Tauberbischofsheimer Altar, Karlsruher Altar, and Karlsruher Tafeln, respectively) is a late work by the German Renaissance painter Matthias Grünewald, probably completed ...
Grünewald's John the Evangelist.This work was long thought to be a self-portrait. Matthias Grünewald (c. 1470 – 31 August 1528; also known as Mathis Gothart Nithart [1]) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century.
Mathis der Maler (Matthias the Painter) is an opera by Paul Hindemith.The work's protagonist, Matthias Grünewald, was a historical figure who flourished during the Reformation, and whose art, in particular the Isenheim Altarpiece, [1] [2] inspired many creative figures in the early 20th century.
The Mocking of Christ (German: Die Verspottung Christi) is an early oil on wood painting (1503–1505) by Matthias Grünewald. It is located today in the Alte Pinakothek , Munich . Description
Édouard Manet, Jesus Mocked by the Soldiers, c. 1865. After his condemnation by Pontius Pilate, Jesus was flogged and mocked by Roman soldiers.They clothed him with a "purple" or "scarlet" (Matthew 27:28) robe symbolizing a royal gown since purple was a royal color, put a crown of thorns on his head symbolizing a royal crown, and put a staff in his hand symbolizing a scepter.
Hints and the solution for today's Wordle on Saturday, February 8.
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides —or Furies—of Aeschylus 's Oresteia , and depict three writhing anthropomorphic creatures set against a flat burnt orange background.