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The opening call to the "water boy" has been said to bear a resemblance to melodies found in classical works by Cui, Tchaikovsky, and Liszt, as well as a Jewish marriage song and a Native American tune. [4] The first melody of the subsequent refrain is similar to the old German tune "Mendebras," used for the hymn "Oh Day of Rest and Gladness."
And it was great — though if you think about it, here's us doing a song and it was really a girls' song. 'I talk about boys now!' Or it was a gay song. But we never even listened. It's just a great song. I think that's one of the things about youth — you just don't give a shit. I love the innocence of those days." [6]
The use of piano crotchet chords is typical of McCartney's compositions of the time, starting with "Got to Get You into My Life" in 1966. [6] The song's rhythm suggests a foxtrot , a quality it shares with "Catcall" (formerly titled "Catwalk"), [ 9 ] a McCartney-written instrumental recorded by Chris Barber 's trad jazz band in July 1967. [ 17 ]
"Mama Said" is a song performed by the Shirelles, written by Luther Dixon and Willie Denson. It became a top-ten hit, on both the pop and R&B charts, when it was released as a single in 1961. It became a top-ten hit, on both the pop and R&B charts, when it was released as a single in 1961.
Mike Love of the Beach Boys, another student at the meditation retreat, recalled McCartney playing "Back in the U.S.S.R." on acoustic guitar over breakfast in Rishikesh, [11] at which point he suggested to McCartney that the bridge section should focus on the "girls" in Russia, [12] [13] in the style of the Beach Boys' "California Girls".
The Beatles and Songs, Pictures and Stories of the Fabulous Beatles. Capitol included it on The Early Beatles. The Beatles' version differs from the Shirelles' in that it repeats the second verse instead of the first. [8] A live version was released on Live at the BBC in 1994. Here, Lennon does not repeat part of the second verse after the solo ...
%shareLinks-quote="The Grateful Dead heard about it and said, 'We want to be a part of it.' This was right before they did their 50th anniversary tours; they could be doing a million things with ...
The chorus has a bass guitar and acoustic guitar playing the same notes an octave apart, while the keyboard is played in a chord-per-bar fashion. The verses have a "chant-like plea" while the choruses have a "defiant masculinity". The vocal lines are cut short so as to eradicate any vibrato, and the vocals have been treated in post-production [3]