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The cakewalk was a dance developed from the "prize walks" (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on black slave plantations before and after emancipation in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk ...
Cake Wrecks is an entertainment photoblog featuring user-submitted images of "unintentionally silly, sad, creepy or inappropriate" cakes. [15] TLC's Cake Boss features baker Buddy Valastro and his shop called Carlo's Bake Shop in Hoboken, New Jersey. Netflix's Nailed It! is a competition show in which amateur bakers attempt cake decorating.
A boy looks into a peep show device (illustration by Theodor Hosemann, 1835) A raree show, peep show or peep box is an exhibition of pictures or objects (or a combination of both), viewed through a small hole or magnifying glass. In 17th and 18th century Europe, it was a popular form of entertainment provided by wandering showmen.
Peep Show is a British sitcom starring David Mitchell and Robert Webb. The series follows the lives of two men from their twenties to thirties who live in a flat in Croydon , London . Mark Corrigan (Mitchell), who has steady employment for most of the series, and his lodger , Jeremy "Jez" Usbourne (Webb), an unemployed would-be musician, are ...
One block was used for each colour. The typical Morris design used as many as twenty different colours, but some were more complex. The Saint James design (1881) required sixty-eight different blocks. The printer painted a pad with the first colour, then pressed the block down onto the pad to put the paint onto its surfaces.
This massive art installation includes over 100 million porcelain sunflower seeds that cover a 1,000 m² floor with a depth of 10 cm in the Tate Modern's Turbine Hall. The entire artwork weighs around 150 tons. Each seed went through a 30 step procedure, hand painted and fired at 1,300°C. [3]
A Pin to See the Peepshow was adapted into a play by Jesse and H. M. Harwood in 1951. It was refused a licence by the Lord Chamberlain and so premiered at a private venue in London: the Peter Cotes production was at the New Boltons Theatre Club.