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Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
"The Old Fashioned Way" is the English version of Charles Aznavour's Les plaisirs démodés song. The song was released in 1973 by Barclay Records as a single ( What makes a Man on the B-side) and became a hit in the Netherlands (No. 5), [ 1 ] Belgium [ 2 ] and in the UK (it was on British charts for 15 weeks).
Peggy Lee included the song on her 1958 album Jump for Joy. [5] An instrumental version was recorded by Bill Haley & His Comets in 1959 and released as a single in 1960; it was the band's final release for Decca Records and was only a minor hit. In 1961, Ray Charles recorded an instrumental version for his album The Genius After Hours.
"Portsmouth" is a traditional English folk dance tune, similar to an Irish or Scottish hornpipe melody. It is sometimes referred to as the "Portsmouth Hornpipe". "Portsmouth" appeared in the 11th edition of John Playford's The Dancing Master in 1701.
I'm Old Fashioned" is a 1942 song composed by Jerome Kern, with lyrics written by Johnny Mercer. It was written for the film You Were Never Lovelier (1942), where it was introduced by Nan Wynn who dubbed for Rita Hayworth as part of a song and dance routine with Fred Astaire . [ 1 ]
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
Associated with dance music are usually commercial tracks that may not easily be categorized, such as "The Power" by Snap!, "No Limit" by 2 Unlimited, "Gonna Make You Sweat (Everybody Dance Now)" by C+C Music Factory, and the Beatmasters' "Rok da House" but the term "dance music" is applied to many forms of electronic music, both commercial and ...
The song was an adaptation of a 1968 comic arrangement of the song by Richard C. Gregory, a faculty member of The Williston Northampton School, for his a cappella group, the Williston Caterwaulers. [5] [better source needed] SNC added their own touches, including songs like "I Have a Little Dreidel" and Toto's "Africa". [3]