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Concerto for Harmonica and Orchestra, Op. 46 Concerto for Guitar and Orchestra, Op. 67 Concerto No. 2 for Clarinet and Orchestra, Op. 115 Larry Austin: 1960 1961 1971 Fantasy on a Theme by Berg, for jazz orchestra: 5 saxs, 5 tpts, 4 trbns, perc set, pno, db Improvisations for Orchestra and Jazz Soloists (tpt or alt sax; perc set, db)
John Zdechlik (Zuh-DECK-lik; May 2, 1937 – May 21, 2020) was an American composer, music teacher, and conductor. He was elected to the American Bandmasters Association and many of his compositions became standard concert band repertoire, including Chorale and Shaker Dance .
The jazz pianist Chick Corea used the beginning of the second movement as an introduction to his composition "Spain". Al Jarreau used the same intro in his arrangement of "Spain" as a vocalese. The concierto was the center of the "Friday night in San Francisco" live concert by Paco De Lucia, Al di Meola and John McLaughlin in 1981
His jazz-funk arrangement of the Beatles' "Get Back" was used as the longtime theme for the 1970s sports quiz show Sports Challenge, emceed by Dick Enberg. For clarinetist Eddie Daniels, Williams wrote A Concerto in Swing; for saxophonist Tom Scott, he penned Romances for Jazz Soloist and Orchestra.
Concerto for tenor saxophone and orchestra (1992)—Eric Ewazen; Concerto for tenor saxophone and orchestra with piano obbligato (2007)—David DeBoor Canfield "Graffiti Play", concerto for Tenor Saxophone, contemporary Jazz Trio (ts, bs, drs) & chamber orchestra (2014)—Esa Pietilä; Concerto for tenor saxophone and small orchestra (2015 ...
2009 Composed recorder concerto (Concerto Incantanto) for Michala Petri and the City Chamber Orchestra of Hong Kong; 2012–14 Conducted the score to Interstellar; 2015 Composed score for the French animated film The Little Prince (with Hans Zimmer) 2017 Had his music featured in the attraction "The Hall of Presidents" at Walt Disney World
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
The Saxophone Concerto was Adams's first composition following his three-hour oratorio The Gospel According to the Other Mary.Adams, whose father played alto saxophone in swing bands during the 1930s, has cited his early exposure to such jazz saxophonists as John Coltrane, Eric Dolphy, and Wayne Shorter as inspiration for the piece.