Ad
related to: nikon tilt shift lens tutorial
Search results
Results From The WOW.Com Content Network
The Nikon PC-E Nikkor 24mm f/3.5D ED Lens is a tilt-shift, wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Nikon F-mount camera bodies. Its ultra-wide perspective control features tilt, shift and rotation capability, well-suited for architectural and nature photography. [2] [3]
Olympus produced 35 mm and 24 mm shift lenses. Canon currently offers 17 mm, 24 mm, 50 mm, 90 mm and 135 mm tilt/shift lenses. [5] Nikon currently offers 19 mm, 24 mm, 45 mm, and 85 mm PC lenses with tilt and shift capability. Venus Optics Laowa offers the world's widest 15mm shift lens with an extremely good optical distortion control. [6]
Tilt and swing are movements available on most view cameras, often on both the front and rear standards, and on some small- and medium format cameras using special lenses that partially emulate view-camera movements. Such lenses are often called tilt-shift or "perspective control" lenses.
Thus any focal length lens mounted on a view camera or field camera, and many press cameras can be used with perspective control. Some interchangeable lens medium format , 35 mm film SLR , and Digital SLR camera systems have PC, shift, or tilt/shift lens options which allow perspective control and, in the case of a tilt/shift lens, plane of ...
A tilt/shift lens, set to its maximum degree of tilt relative to the camera body. Apochromat (apo) lenses have added correction for chromatic aberration. Process lenses have extreme correction for aberrations of geometry (pincushion distortion, barrel distortion) and are generally intended for use at a specific distance and at small aperture.
The camera's tilt will change the position of the horizon, changing the amount of sky or ground that is seen. [5] A tilt downward is usually required for a high-angle shot and bird's-eye view while a tilt upward is for a low-angle shot and worm's-eye view. The vertical offset between subjects can reflect differences in power, with superiority ...
Minox LX camera with hyperfocal red dot Nikon 28mm f /2.8 lens with markings for the depth of field. The lens is set at the hyperfocal distance for f /22. The orange mark corresponding to f /22 is at the infinity mark (∞). Focus is acceptable from under 0.7 m to infinity. Minolta 100–300 mm zoom lens. The depth of field, and thus hyperfocal ...
Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation about the optical axis (). [1]