Search results
Results From The WOW.Com Content Network
Viktoria Mullova (born 1959) (performs principally on the modern violin) Petra Müllejans (born 1959) Enrico Onofri (born 1967) (first violinist with Il Giardino Armonico) Ioana Petcu-Colan (born 1978) Rachel Barton Pine (born 1974) (performs principally on the modern violin, also plays viola d'amore) Rachel Podger (born 1968) Hélène Schmitt
[1] [2] Amati is credited with making the first instruments of the violin family that are in the form we use today. [3] Several of his instruments survive to the present day, and some of them can still be played. [3] [4] [5] Many of the surviving instruments were among a consignment of 38 instruments delivered to Charles IX of France in 1574. [6]
The parts for violin very rarely proceed above D on the highest string, sometimes reaching the E in fourth position on the highest string. The story has been told and retold that Corelli refused to play a passage that extended to A in altissimo in the overture to Handel's oratorio The Triumph of Time and Truth (premiered in Rome, 1708). [27]
The Concerto is symphonic in form, adopting the four-movement form of the symphony. The first movement, a dark, brooding, elegiac nocturne, elaborates on a fantasy form. The violin solo is prefaced by a brief orchestral interlude that proposes the melodic sentence upon which the violin solo later meditates, adding rhythmic and melodic motifs as ...
The origin of the violin family is unclear. [1] [2] Some say that the bow was introduced to Europe from the Byzantine Empire and the Islamic world, [3] [4] [5] while others say the bow was not introduced from the Middle East but the other way around, and that the bow may have originated from more frequent contact between Northern and Western Europe.
The first movement is characterized by a series of light, pulsing chords that reappear periodically throughout the movement, with slight variations with each recurrence. The solo violin enters early in the movement playing fairly rapid arpeggios that gradually extend to encompass the full range of the instrument.
The first movement—allegro molto moderato—begins with a lyrical first subject announced at once by the solo violin, without any orchestral introduction. This movement as a whole has perhaps more the character of a sonata than concerto form. The second movement—andante sostenuto—is introduced by an extended oboe solo.
Reed, who played at the premiere, later wrote that Elgar was recalled to the platform several times to acknowledge the applause, "but missed that unmistakable note perceived when an audience, even an English audience, is thoroughly roused or worked up, as it was after the Violin Concerto or the First Symphony."