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When the word "mandolin" is said in the 21st century, it usually refers to an instrument with 8 strings tuned in fifths, such as the Neapolitan mandolin or the American bluegrass mandolin. It is also commonly thought that mandolino is a diminutive of mandola, and that therefore the mandolino was a smaller development of the mandola.
The mandolin has a history on Tobago and Trinidad as the bandolin, dating back before World War I. [99] It was a small instrument, approximately 20 x 40 centimeters, strung with 8 strings in four courses of two each. [99] Before the war, it was commonly a round-backed instrument, made of strips of wood. [99] The flat-backed version appeared ...
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
The piccolo or sopranino mandolin is a rare member of the family, tuned one octave above the mandola and one fourth above the mandolin (C 4 –G 4 –D 5 –A 5); the same relation as that of the piccolo (to the western concert flute) or violino piccolo (to the violin and viola). One model was manufactured by the Lyon & Healy company under the ...
After more than seven years as a member of The Country Gentlemen, mandolin player and vocalist Doyle Lawson founded his own group on April 1, 1979. [1] The original lineup included guitarist and vocalist Jimmy Haley, banjo player Terry Baucom, and bassist Lou Reid; the group was briefly known as Doyle Lawson & Foxfire, but was soon renamed Doyle Lawson & Quicksilver (DL&Q). [2]
Lloyd Allayre Loar (1886–1943) was an American musician, instrument designer and sound engineer. He is best known for his design work with the Gibson Mandolin-Guitar Mfg. Co. Ltd. in the early 20th century, [3] including the F-5 model mandolin and L-5 guitar.
Gibson began in 1894 in his home workshop in Kalamazoo, Michigan, and patented his idea for mandolins in 1898. [5] With no formal training, Gibson created an entirely new style of mandolin and guitar that followed violin design, with its curved top and bottom carved into shape, rather than pressed or bent, arched like the top of a violin. [6]
Its range was not as good as the mandocello, which replaced it in mandolin orchestras, and had largely disappeared in the 19th century. [2] Besides the lesser range, compared to the mandocello, the mandolone was also a quieter instrument. This was a problem, because the other instruments making up the mandolin orchestras were getting louder.