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A composite rhythm is the durations and patterns (rhythm) produced by amalgamating all sounding parts of a musical texture. In music of the common practice period , the composite rhythm usually confirms the meter , often in metric or even-note patterns identical to the pulse on a specific metric level.
A basic distinction is between rhyme schemes that apply to a single stanza, and those that continue their pattern throughout an entire poem (see chain rhyme). There are also more elaborate related forms, like the sestina – which requires repetition of exact words in a complex pattern. Rhyming is not a mandatory feature of poetry; a four-line ...
The basic rhythmic phrase of a tala when rendered on a percussive instrument such as tabla is called a theka. [17] The beats within each rhythmic cycle are called matras, and the first beat of any rhythmic cycle is called the sam. [18] An empty beat is called khali. [19] The subdivisions of a tala are called vibhagas or khands. [18]
A rhythmic pattern or cycle in Arabic music is called a "wazn" (Arabic: وزن; plural أوزان / awzān), literally a "measure". [1]A wazn is only used in musical genres with a fixed rhythmic-temporal organization including recurring measures, motifs, and meter or pulse. [2]
The rhythmic pattern is known in Cuba as baqueteo. The pattern of attack-points is nearly identical to the 3–2 clave motif guajeo shown earlier in this article. The bell pattern known in Cuba as clave, is indigenous to Ghana and Nigeria, and is used in highlife. [83] Top: clave. Bottom: highlife guitar part.
The tibwa rhythm also provided inspiration for the chouval bwa and then for zouk (two Antillean popular music). In zouk, the rhythm is often simplified to an almost-constant 3+3+2 motif and played with rimshots on the snare while the chacha or hi-hats play the cinquillo-tresillo rhythm.
The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. [3] Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development , such as the alteration of an ostinato line to fit changing harmonies or keys .
A bell pattern is a rhythmic pattern of striking a hand-held bell or other instrument of the idiophone family, to make it emit a sound at desired intervals. It is often a key pattern [ 1 ] [ 2 ] (also known as a guide pattern , [ 3 ] phrasing referent , [ 4 ] timeline , [ 5 ] or asymmetrical timeline [ 6 ] ), in most cases it is a metal bell ...