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Rajat Arora (born 23 July 1975) is an Indian screenwriter known for his work in Hindi-language films and television.He is notably known for writing films such as Taxi No. 9211 (2006), Chandni Chowk to China (2009), Once Upon a Time in Mumbaai (2010), [2] The Dirty Picture (2011), [3] Kick (2014), [4] Gabbar Is Back (2015), Azhaar (2016) and Baadshaho (2017). [5]
Masterclass makes it easy for aspiring actors, screenwriters and directors to perfect their craft
Film director John Badham during filming of The Godchild in 1974. A film director is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that vision.
The Dirty Picture is a 2011 Indian Hindi-language biographical musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles.The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti.
The results of the examinations are usually declared in the first week of May to Mid-June. In general, about 80% of candidates receive a passing score. [8] The Delhi High Court has directed the Central Board of Secondary Education and Delhi University to discuss the ways by which the results of the main exam, revaluation, and compartment exam can be declared earlier than usual so that ...
On 12 April 2018, the police said that Rakesh Kumar, who leaked the class 12 economics paper, had leaked class 10 mathematics paper also. [40] Consequently, the Central Board of Secondary Education has put in place a system of "encrypted" question papers, which are supposed to be printed by the schools half an hour before the exam starts. [41]
I Am Kalam is a 2011 Indian Hindi-language drama film produced by the non-governmental charity Smile Foundation and directed by Nila Madhab Panda with cinematography by Mohana Krishna.
This transition into film directing is no longer common in feature films, as the role has evolved into a more logistical and managerial position. It is more common now for an assistant director to transition to a theatre production management or producer role than to directing, with contemporary exceptions such as James McTeigue .