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The event (or events – see discussion below) is reported in Matthew 26, Mark 14, Luke 7, and John 12. [2] Matthew and Mark are very similar: Matthew 26:6–13. While Jesus was in Bethany in the home of Simon the Leper, a woman came to him with an alabaster jar of very expensive perfume, which she poured on his head as he was reclining at the table.
Matthew 28:9 is the ninth verse of the twenty-eighth chapter of the Gospel of Matthew in the New Testament.This verse is part of the resurrection narrative. Mary Magdalene and "the other Mary" are leaving the empty tomb of Jesus after encountering an angel, and in this verse they encounter the risen Jesus.
It portrays Christ supported by several people, with Mary Magdalene kissing his feet, as a symbol of human repentance. A figure on the right, with a red hat, is showing the cross's nails and the crown of thorns, symbols of passion and sacrifice. Mary, wearing a dark dress, is shown in the traditional gesture of keeping hands joined.
R. Hepburn posits that while Matthew 28:9 records Mary Magdalene and the other Mary taking hold of Jesus’ feet and worshiping Him after His resurrection, the encounter recorded in John 20:17 is a different (likely earlier) encounter when Mary Magdalene is alone with the risen Christ.
The portrayal of Mary Magdalene as a prostitute began in 591, when Pope Gregory I identified Mary Magdalene, who was introduced in Luke 8:2, with Mary of Bethany (Luke 10:39) and the unnamed "sinful woman" who anointed Jesus's feet in Luke 7:36–50. [152]
Many paintings show Mary washing, or just having washed, Jesus's feet, recalling the story in John 12.1–8 (which seems to be about Mary of Bethany). Via the story in Luke 7.36–50 (about an unnamed 'sinful woman'), however, Mary of Bethany was often conflated with Mary Magdalene, and this too may be reflected in art. [26]
The typical position of Christ's body changes from being flat on the ground or slab, usually seen in profile across the centre of the work, to the upper torso being raised by Mary or others, and finally being held in a near-vertical position, seen frontally, or across Mary's lap. Mary Magdalene typically holds Jesus' feet, and Joseph is usually ...
Ivanov's painting "Christ's Appearance to Mary Magdalene after the Resurrection" (lithograph, 1862) The painting, entitled Christ's Appearance to Mary Magdalene, was completed in December 1835 and exhibited in the artist's studio. One of the visitors was the writer Alexei Timofeev, who offered the following commentary on the painting: "‘The ...