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This is a list of classic children's books published no later than 2008 and still available in the English language. [1] [2] [3] Books specifically for children existed by the 17th century. Before that, books were written mainly for adults – although some later became popular with children.
Edith Nesbit's famous children's novel The Phoenix and the Carpet is based on this legendary creature and its friendship with a family of children. In the Vermilion Bird, a mystical Phoenix symbol represents of Four Symbols of the Chinese constellations. D. H. Lawrence frequently used the phoenix as a symbol for rebirth in life.
More positive interpretations, based on the concept of the friendly 'bookworm' or mutated forms of the common earthworm, are found in many recent books, especially those written for children. On Pink Floyd's album The Wall, worms were used as "symbols of negative forces within ourselves." [3]
Girdle of Hippolyta, a girdle that was a symbol of Hippolyta's power over the Amazons, and given to her by Ares. Heracles' 9th Labor was to retrieve it. (Greek mythology) Tyet, the ancient Egyptian symbol of the goddess Isis. It seems to be called "the Knot of Isis" because it resembles a knot used to secure the garments that the Egyptian gods ...
As a student of fine art, Canadian cartoonist John Atkinson has quite a refined sense of humor. He creates funny illustrations that reference literature, art, and culture. His work thrives on ...
This is a list of notable books by young authors and of books written by notable writers in their early years. These books were written, or substantially completed, before the author's twentieth birthday. Alexandra Adornetto (born 18 April 1994) wrote her debut novel, The Shadow Thief, when she was 13. It was published in 2007.
Anthropomorphised ants have often been used in fables, children's stories, and religious texts to represent industriousness and cooperative effort. [2] In the Book of Proverbs, ants are held up as a good example for humans for their hard work and cooperation. Aesop did the same in his fable "The Ant and the Grasshopper".
Scholars differ on the key question of whether the actual emblems in question are the visual images, the accompanying texts, or the combination of the two. [3] This is understandable, given that first emblem book, the Emblemata of Andrea Alciato, was first issued in an unauthorized edition in which the woodcuts were chosen by the printer without any input from the author, who had circulated ...