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Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
In the play, the poem was put to music by the composer Benjamin Britten and read as a blues work. [2] Hedli Anderson, an English singer, was a lead performer in The Ascent of F6. [2] Auden decided to re-write several poems for Anderson to perform as cabaret songs, including "Funeral Blues", and was working on them as early as 1937. [3]
Jan Kochanowski with his dead daughter in a painting by Jan Matejko inspired by the poet's Threnodies. A threnody is a wailing ode, song, hymn or poem of mourning composed or performed as a memorial to a dead person.
An Appointment with Mr Yeats" by The Waterboys is an album of Yeats poems set to song. The poem "Down by the Salley Gardens" was based by Yeats on a fragment of a song he heard an old woman singing. Yeats' words have been recorded as a song by many performers. The song "A Bad Dream" by Keane is based on the poem "An Irish Airman Foresees His ...
Songs and Dances of Death (Russian: Песни и пляски смерти, Pesni i plyaski smerti) is a song cycle for voice (usually bass or bass-baritone) and piano by Modest Petrovich Mussorgsky, written in the mid-1870s, to poems by Arseny Golenishchev-Kutuzov, a relative of the composer.
"O Death Rock Me Asleep" is a Tudor-era poem, traditionally attributed to Anne Boleyn. It was written shortly before her execution in 1536. It was written shortly before her execution in 1536. Anne Boleyn in the Tower of London ( Édouard Cibot , 1835)
Alfred, Lord Tennyson "Tears, Idle Tears" is a lyric poem written in 1847 by Alfred, Lord Tennyson (1809–1892), the Victorian-era English poet. Published as one of the "songs" in his The Princess (1847), it is regarded for the quality of its lyrics.
Scholarly editions all place "The Echoing Green" as the sixth object in the print order for the Songs of Innocence and of Experience.The following, represents a comparison of several of the extant copies of the poem, their print date, their order in that particular printing of the poems, and their holding institution: [2]