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Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
Louis died on July 6, 1976, [11] [12] [13] and his son Allen, who learned to rhyme from his father, [14] wrote the rhyming poem, Father Death Blues for him on July 8, 1976, over Lake Michigan. Portraits of the Ginsberg family were taken by photographer Richard Avedon and exhibited at the Gagosian Gallery [15] and the Israel Museum. [16]
Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
The Dead (poem) Death Be Not Proud; The Death of the Ball Turret Gunner; ... Funeral Blues; G. The Grave (poem) I. If I must die; If We Must Die; In Flanders Fields;
Contrary to popular belief, the poem is not about the death of Field's son, who died several years after its publication. Field once admitted that the words "Little Boy Blue" occurred to him when he needed a rhyme for the seventh line in the first stanza. The poem first appeared in 1888 in the Chicago weekly literary journal America. Its editor ...
Edge himself opened In Search of the Lost Chord (1968) with his brief poem "Departure", though Mike Pinder narrated his "The Word" poem later on that set. Further poems provided by Edge included "In the Beginning" (co-narrated by Hayward, Edge and Pinder in turn) and "The Dream" (spoken by Pinder) for On the Threshold of a Dream (1969). Edge ...
"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.
May Ayim (3 May 1960 in Hamburg – 9 August 1996 in Berlin) is the pen name of May Opitz (born Brigitte Sylvia Andler); she was an Afro-German poet, educator, and activist.. The child of a German dancer and Ghanaian medical student, she lived with a white German foster family when you