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The Aztec or Mexica calendar is the calendrical system used by the Aztecs as well as other Pre-Columbian peoples of central Mexico. It is one of the Mesoamerican calendars, sharing the basic structure of calendars from throughout the region. The Aztec sun stone depicts calendrical symbols on its inner ring but did not function as an actual ...
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] The Aztecs were Nahuatl -speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures.
In Aztec codices, the myth goes that Tezcatlipoca changed his name to Mixcoatl in the second year after the flood and makes fire from two pieces of flint. Which would explain the reason why, in the Sun Stone, the Tecpatl is carrying the glyph of Tezcatlipoca. The Tecpatl, linked to the origin of the fire, is also identified as a symbol of the ...
Huastec statue of Ometochtli. Rabbit-shaped vessel probably used for containing pulque, the rabbit, and the rabbit deity Ome Tochtli, was a symbol of pulque. In Aztec mythology, Ometochtli (pronounced [oːmetoːtʃtɬi]) is the collective or generic name of various individual deities and supernatural figures associated with pulque (octli), [1] an alcoholic beverage derived from the fermented ...
This is a list of gods and supernatural beings from the Aztec culture, its religion and mythology. Many of these deities are sourced from Codexes (such as the Florentine Codex (Bernardino de Sahagún), the Codex Borgia (Stefano Borgia), and the informants). They are all divided into gods and goddesses, in sections.
The Aztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word. [5] The glyphs were recognizable to their meaning, and members of the population would understand what day it was and their current position in time. [ 5 ]
The frontispiece of the Codex Fejéváry-Mayer, one of the more well-known images from Aztec codices, features a god circumscribed in the 20 trecena, or day symbols, of the Tōnalpōhualli. The exact identity of this god is unclear, but is most likely either Tezcatlipoca or Xiuhtecutli. The figure has yellow and black face paint, as is ...
Nahui Ollin symbol with an eye (ixtli) in the center. A solar ray and a precious stone (chalchihuitl) emanate from the eye, Codex Borbonicus (1519–1521) [1] Nahui Ollin is a concept in Aztec/Mexica cosmology with a variety of meanings. Nahui translates to "four" and Ollin translates to "movement" or "motion."