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The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
Twinkie Clark, chief executive writer, and arranger for the American gospel group The Clark Sisters is widely credited as the originator of the classic shout sound in contemporary gospel music. [3] In its most standard form, shout music is characterized by very fast tempo , chromatic basslines and piano / organ chords , snare hits and hand ...
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
Black gospel music traces its roots back to slavery when enslaved people sang call-and-response songs such as “Roll, Jordan, Roll” and “Swing Low, Sweet Chariot.” These early folk songs ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
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Nashville notation or Nashville Number System [2] is a method of notating chord changes using numbers based on scale degrees, in lieu of chord names. For example, in the key of C-Major , the chord D - minor-seventh can be written as 2− 7 , 2m 7 , or ii 7 .
Example of piano tone clusters. The clusters in the upper staff—C ♯ D ♯ F ♯ G ♯ —are four successive black keys. The last two bars, played with overlapping hands, are a denser cluster. A tone cluster is a musical chord comprising at least three adjacent tones in a scale.