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"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas , [ 2 ] who issued it as a single on July 10, 1963, [ 3 ] on the Motown subsidiary Gordy label.
The song was performed by Heatwave for the movie Escape To Athena soundtrack and served as the movie's closing theme. In 1982, Temperton wrote the music to Someone in the Dark, recorded by Michael Jackson, and produced by Quincy Jones, for the movie E.T. the Extra-Terrestrial, with lyrics by Alan and Marilyn Bergman.
"Heat Wave" is a popular song written by Irving Berlin for the 1933 musical As Thousands Cheer, ... (Note: based on the lyrics alone, the Marilyn song is different ...
After the international success of Heatwave's disco single "Boogie Nights", "Always and Forever" was chosen as the U.S. follow-up single in late 1977.A ballad featuring lead vocals by Johnnie Wilder, Jr., "Always and Forever" stood out among the band's predominantly disco repertoire and became a successful U.S. hit song in early 1978.
"Heat Waves" was met with positive reviews upon release, with music critics such as Robin Murray, Owen Richards, and Rob Waters praising the song as a "stunningly effective" pop track, "built on a delicious groove and utilising very conventional lyrical structures" while containing enough elements unique to Glass Animals to entice more listeners to them.
"The Groove Line" is a 1977 single by the Dayton, Ohio/European funk-disco group Heatwave. It was written by Rod Temperton . It was included on Heatwave's second album, Central Heating .
Central Heating is the second studio album by funk-disco band Heatwave. [4] It was released in 1977 on the GTO label in the UK and in 1978 on the Epic label in the US. It was produced by Barry Blue. Central Heating sold more than a million copies in its first two years of release. [5]
Heat Wave is the second studio album released by American Motown girl group Martha and the Vandellas.Released in 1963 on Motown's Gordy imprint, intended to capitalize on the success of the title track, which rose to number four on the pop singles chart and number one on the R&B singles chart.