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The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomplished through sample rate conversion. When using this method, the frequencies in the recording are always scaled at the same ratio as the speed, transposing its perceived pitch up or down in ...
This will often result in different readings as the correlation between record and playback flutter shifts. On well maintained, precise machines, it may be difficult to procure a reference tape with higher tolerances. Therefore, a record-playback test using the stop-start technique, can be, for practical purposes, the best that can be accomplished.
Older digital processors could often shift pitch only in post-production, whereas many modern devices using computer processing technology can change pitch values virtually in real time. [ 4 ] Pitch correction is a form of pitch shifting and is found in software such as Auto-Tune and Melodyne to correct intonation inaccuracies in a recording or ...
The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.
Cassette noise, which was predominately high frequency and unavoidable given the small size and speed of the recorded track could be made subjectively much less important. The noise sounded 10 dB quieter, but failed to measure much better unless 468-weighting was used rather than A-weighting.
It is a type of altered auditory feedback that—along with frequency-altered feedback and white noise masking—is used to treat stuttering; it has also demonstrated interesting discoveries about the auditory feedback system when used with non-stuttering individuals. It is most effective when used in both ears.
During playback, the pilot head functions as a push-pull playback head, facilitating the reproduction of the pilot tone. The playback mechanism compares the reproduced pilot signal to the line frequency (60/50 Hz), which governs the motor speed of the synchronous 16/35mm magnetic recorder and subsequently adjusts the playback speed accordingly.
The latter term "vari-speed" is more commonly used for tape decks, particularly in the UK. Analog pitch controls vary the voltage being used by the playback device; digital controls use digital signal processing to change the playback speed or pitch. A typical DJ deck allows the pitch to be increased or reduced by up to 8%, which is achieved by ...