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Free field reciprocity calibration (to give the free-field response, as opposed to the pressure response of the microphone) follows the same principles and roughly the same method as pressure reciprocity calibration, but in practice is much more difficult to implement. As such it is more usual to perform reciprocity calibration in an acoustical ...
Indirect effects of delayed auditory feedback in people who do not stutter include a reduction in the rate of speech, an increase in intensity, and an increase in fundamental frequency that occur to overcome the effects of the feedback. [8] Direct effects include the repetition of syllables, mispronunciations, omissions, and omitted word endings.
The selection of the sample rate was based primarily on the need to reproduce the audible frequency range of 20–20,000 Hz (20 kHz). The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz.
The measure of the low frequency (many tens of Hz) noise contributed by the turntable of an analogue playback system. It is caused by imperfect bearings, uneven motor windings, vibrations in driving bands in some turntables, room vibrations (e.g., from traffic) that is transmitted by the turntable mounting and so to the phono cartridge.
One way to test a loudspeaker requires an anechoic chamber, with an acoustically transparent floor-grid. The measuring microphone is normally mounted on an unobtrusive boom (to avoid reflections) and positioned 1 metre in front of the drive units on the axis with the high-frequency driver. While this can produce repeatable results, such a 'free ...
During playback, the pilot head functions as a push-pull playback head, facilitating the reproduction of the pilot tone. The playback mechanism compares the reproduced pilot signal to the line frequency (60/50 Hz), which governs the motor speed of the synchronous 16/35mm magnetic recorder and subsequently adjusts the playback speed accordingly.
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomplished through sample rate conversion. When using this method, the frequencies in the recording are always scaled at the same ratio as the speed, transposing its perceived pitch up or down in ...