Search results
Results From The WOW.Com Content Network
Sample credits "Taking What's Not Yours" contains a sample from the 1992 anti-piracy PSA Don't Copy That Floppy and a sample from a 1973 speech by Richard Nixon. "Cigarettes Out the Window" and "For You" contains samples of "Love Song to Jom's Girlfriend" by Frankie Cosmos
In August 2009, the Software and Information Industry Association (SIIA) released a follow-up to the original video of 1992, titled Don't Copy That 2.The video features M. E. Hart reprising his role as "MC Double Def DP" and follows a college student named Jason who sells pirated software online before being arrested for his crimes (though it is unclear whether the legal repercussions are a ...
The group TV Girl's song "Taking What's Not Yours", from Who Really Cares references having left Gravity's Rainbow at an ex-girlfriend's apartment. [ 39 ] British punk/new wave band The Paranoids released 'Theme From Gravity's Rainbow' as the 'B' side to 'The Love Job' (Hurricane Records (2) – FIRE 14 1980) with a lyric inspired by the novel.
"Takin' Off This Pain" is a debut song written and recorded by American country music artist Ashton Shepherd. It was released in September 2007 as the first single from her debut album Sounds So Good .
The album's lead single, called "We Takin' Over" was released on April 1, 2007.The song features guest vocals from American rappers T.I., Rick Ross, Fat Joe, Birdman, and Lil Wayne, alongside the musician Akon.
"Ain't Nobody Takin My Baby" is a single by American rapper Russ, released on December 23, 2016, through his SoundCloud page. [1] It was produced by Russ himself. Background
"Takin' a Chance" is a song by American singer Whitney Houston, promoted and released as a single in Japan on October 21, 1989 by Arista Records. The song was written by Houston, BeBe Winans and its producer Keith Thomas .
"Take Me I'm Yours" was released as the first single from the band's debut 1978 album Squeeze.The track peaked at number 19 in the UK Singles Chart in May 1978. [3] The single's success not only established Squeeze as a new wave player, but provided manager Copeland the leverage to negotiate a favorable deal with A&M Records for another band he was managing: the Police, featuring his brother ...