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Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. [1] The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. [2] It is also used for looping. [3]
In 2007, the Roland subsidiary Boss released the RE-20 pedal, with digital modelling of the original Space Echo sound. [3] It includes a "twist" feature that increases the feedback and speed of the delay, creating a "swirling cacophony" effect. [3] In 2023, Boss released an updated pedal, the RE-202, alongside the smaller RE-2. [3]
The delay setting determines the length of silence between hitting a note and the attack. Some software synthesizers, such as Image-Line's 3xOSC (included with their DAW FL Studio) have DAHDSR (delay, attack, hold, decay, sustain, release) envelopes. A common feature on many synthesizers is an AD envelope (attack and decay only).
The pedal also features a rarity for an overdrive pedal: an effects loop, which allows a second pedal to be connected and activated at the same time—e.g., using the Guv'nor paired with a delay effect for solos. [61] Notable players include Gary Moore, with the pedal visible in artwork for his album Still Got the Blues. [62]
It features a "ghost" mode which combines delay with frequency shifting. [32] This plugin can do both classic delay sounds and unusual sound effects. [33] Valhalla Delay is on Music Radar's list of five best plugins released in 2019, [34] and they consider it the best delay plugin in 2020. [35]
Delay effects: Boss DD-3 Digital Delay, MXR Carbon Copy, Electro-Harmonix Deluxe Memory Man, Line 6 DL4, Roland RE-201. Looper pedal: A looper pedal or "phrase looper" allows a performer to record and later replay a phrase, riff or passage from a song.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...