Search results
Results From The WOW.Com Content Network
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
Building on the distorted electric guitar sound of early records, Wray's first hit was the 1958 instrumental "Rumble". The record was first released on Cadence Records (catalog number 1347) as by "Link Wray & His Ray Men". "Rumble" was banned in New York and Boston for fear that it would incite teenage gang violence, "rumble" being slang for a ...
English: Audio example of the speed (or rate) control on a phaser, with saturated electric guitar. The phaser (Electro Harmonix Small Stone simulation on Amplitube 4) is added after distortion and cab simulation, in order to increase the intensity of the effect. First part of the sample is the dry sound, then with a slow, medium and fast phaser.
Many electric guitar players intentionally overdrive their amplifiers (or insert a "fuzz box") to cause clipping in order to get a desired sound (see guitar distortion).. Some audiophiles believe that the clipping behavior of vacuum tubes with little or no negative feedback is superior to that of transistors, in that vacuum tubes clip more gradually than transistors (i.e. soft clipping, and ...
While Cartwheel certainly possesses the layered, distorted guitar sound so often associated with the genre popularized in the ’90s by My Bloody Valentine, Slowdive and Lush, it also evinces the ...
The resultant sound can be heard on his influential 1958 instrumental, "Rumble" and Rawhide. [1] In 1961, while recording the Marty Robbins song "Don't Worry", a fuzzy tone accidentally caused by a faulty preamplifier in Bradley Studio B's mixing console distorted session musician Grady Martin's guitar part. Later that year Martin recorded an ...
The "power chord" as known to modern electric guitarists was popularized first by Link Wray, who built on the distorted electric guitar sound of early records and by tearing the speaker cone in his 1958 instrumental "Rumble." A later hit song built around power chords was "You Really Got Me" by the Kinks, released in 1964. [8]
"Rumble" is an instrumental by American group Link Wray & His Wray Men. Released in the United States on March 31, 1958, as a single (with "The Swag" as a B-side), "Rumble" utilized the techniques of distortion and tremolo, then largely unexplored in rock and roll.