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Mama and papa use speech sounds that are among the easiest to produce: bilabial consonants like /m/, /p/, and /b/, and the open vowel /a/.They are, therefore, often among the first word-like sounds made by babbling babies (babble words), and parents tend to associate the first sound babies make with themselves and to employ them subsequently as part of their baby-talk lexicon.
From birth to 1 month, babies produce mainly pleasure sounds, cries for assistance, and responses to the human voice. [14] Around 2 months, babies can distinguish between different speech sounds, and can make "goo"ing sounds. [14] Around 3 months, babies begin making elongated vowel sounds "oooo" "aaaa", and will respond vocally to speech of ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
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The song's lyrics included the line "Mama, don't treat your daughter mean". [3] According to Ruth Brown, the lyrics originated from a black church spiritual. Brown initially disliked the song but was persuaded by Lance and Wallace to record it in December 1952, after Abramson increased the tempo. [4]
"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971. [2] The song evolved from "Love to Say Dada", an unfinished composition from the band's cancelled Smile album.
In 2003, Wilson rewrote "Love to Say Dada" as "In Blue Hawaii" with new lyrics by Van Dyke Parks for Brian Wilson Presents Smile (2004). The Beach Boys' original recording of "Love to Say Dada" was released on the compilations Good Vibrations: Thirty Years of the Beach Boys (1993) and The Smile Sessions (2011). The latter release mixed elements ...
"Mama" is a pop ballad, written in the key of A-flat major, it is set in the time signature of common time and moves at a moderate tempo of 100 beats per minute. [5] The song is constructed in a verse-chorus form, with a bridge before the third chorus, [5] and its instrumentation comes from keyboards, a rhythm guitar, a cello, and a violin. [6]