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Most of ancient northern Vietnam was referred as the Lạc Việt which was considered to be part of the Baiyue region in ancient Chinese texts. [1]: 26 Prior to the Chinese conquest, the Tai nobles first came in Northern Vietnam during the Đông Sơn era, and they started to assimilate the local Mon-Khmer and Kra-dai people in a processed referred as Tai-ization or Tai-ification as the Tai ...
Áo dài is the traditional attire of Vietnam, considered a symbol of the graceful and elegant beauty of Vietnamese women. [36] [better source needed] [8] [better source needed] [37] However, besides the praises, áo dài also cannot escape criticism. [38] [39] One of the most common criticisms of áo dài is the excessive renovation.
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
Elderly man with his traditional áo bà ba in the Mekong Delta. Painting of young lady in áo bà ba by Đào Sĩ Chu. Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English).
Chinese clothing in the form of trousers and tunic were mandated by the Nguyễn dynasty. As late as the 1920s, in Vietnam's north area in isolated hamlets skirts were still worn. [15] Ming, Tang, and Han dynasty-styled clothing was ordered to be adopted by Vietnamese military and bureaucrats by the Nguyễn lord Nguyễn Phúc Khoát. [16]
This category describes traditional and historic Vietnamese clothing. Modern Vietnamese clothing should be categorised under Vietnamese fashion or Clothing companies of Vietnam Subcategories
Traditional Vietnamese art is a part of art practiced in Vietnam or by Vietnamese artists, from ancient times (including the elaborate Đông Sơn drums) to post-Chinese domination art which was strongly influenced by Chinese Buddhist art, as well as Taoism and Confucianism.
The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...