Search results
Results From The WOW.Com Content Network
The album was also a commercial success, peaking at number nine on the US Top Gospel Albums chart and also appeared on both the 1983 and 1984 year-end charts at number two and 25 respectively. [ 19 ] [ 20 ] Furthermore, Billboard ranked The Clark Sisters as the number-four Top Gospel Albums Artist of 1982 and number-one Top Gospel Albums Artist ...
A year later, another single from the album--"Enough of Me"—was nominated for Best Rock Vocal Performance, Female (also losing to Sheryl Crow). The album was certified gold by the RIAA. [7] The year 2001 saw the release of Skin, an album she described as "the closest I've ever come to recording a concept album. It has a beginning, middle and end.
The album hit stores within a month of pressing, on August 21. [13] Ode to Billie Joe replaced the Beatles' Sgt. Pepper's Lonely Hearts Club Band at the top of the Billboard 200 and reached No. 5 on the Billboard Black Albums chart. Gentry won three Grammy Awards in 1967, including Best New Artist and Best Female Pop Vocal Performance.
Back in 2017 there was tons of discussion about race after Adele beat out Beyoncé for album of the year.
Sarah Ann McLachlan OC OBC (born January 28, 1968) is a Canadian singer-songwriter. As of 2015, she had sold over 40 million albums worldwide. [2] McLachlan's best-selling album to date is Surfacing (1997), for which she won two Grammy Awards (out of four nominations) and four Juno Awards.
L7 released the first single from their first album in 20 years, "Burn Baby", on February 28, 2019. The full album, Scatter the Rats, was released on May 3, 2019, through Joan Jett's record label Blackheart Records. [69] The album received generally favorable reviews. [70]
In April 2013, the Plastiscines released "Coming To Get You", the first preview of their new album Back to the Start set for release in 2014. Two other songs from the album, "Ooh La La" and "Comment Faire", were released in May 2013. Back to the Start was released in full 28 April 2014. [9]
The album was created entirely through online collaboration, with McCallion based in Toronto and Rook in Vancouver. [10] Wasteisolation received positive coverage by Noisey, [11] Stereogum [12] and The Fader who called it "a raw, abrasive, and deliriously catchy album about surviving as trans women in an antagonistic world."