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2 Music Video. 3 Tetsuya Komuro Rearrange. 4 Track listing. 5 Charts. 6 References. Toggle the table of contents. YouTube Theme Song. 1 language.
"Dragonborn" is the theme song for the soundtrack of the 2011 role-playing video game The Elder Scrolls V: Skyrim from Bethesda Softworks, composed by the American composer Jeremy Soule. The composition is Nordic -influenced classical in style and features a chorus singing lyrics in a fictional language, Dragon-tongue, that was created by Emil ...
At 1:32, Barron found the piece similar to La mer by Debussy. "Death or Sovngarde", one of the combat cues for the game, features a full orchestra as well as a choir and is filled with brass chords and drum rhythms. "Blood and Steel" similarly features brass and drums for a bombastic sound. It incorporates motifs from the main theme and ends ...
Danger Man – Series 1 "The Danger Man Theme" Edwin Astley, series 2–4 "High Wire" Edwin Astley, series 2–4 in the U.S. as Secret Agent, "Secret Agent Man" theme composed by P. F. Sloan and Steve Barri, and recorded by Johnny Rivers.
The music video currently has over 1.1 billion views. [4] "Axel F" – a remix of the Beverly Hills Cop theme by Crazy Frog. The song peaked at number 1 in the UK Charts in 2005, as well in different countries in Europe. The song blew up internationally in recent years. [5] Currently, Its music video has over 4.5 billion views on YouTube. [6]
"7 Skies H3" is a single, 24-hour-long song contained in an EP, 24 Hour Song Skull. Although compiled as a contiguous, day-long song, it was recorded in separate pieces ranging anywhere from 25 minutes to 7 hours. [1] The song was released in a limited edition of 13 copies, on flash drives encased in real human skulls, for Halloween 2011.
"Skidamarink" or "Skinnamarink" [1] is a popular child's sing-along song from North America. [2] Originally titled "Skid-dy-mer-rink-adink-aboomp" [3] or "Skiddy-Mer-Rink-A-Doo", [4] the initial version of the song was written by Felix F. Feist (lyrics) and Al Piantadosi (music) for the 1910 Charles Dillingham Broadway production: The Echo. [4]
Director Michael Bennett explained his view regarding the song's inception and placement within the show: [1] I want the audience to walk out of the theatre saying, 'Those kids shouldn't be in a chorus!' And I want people in the audience to go to other shows and think about what's really gone into making that chorus . . . It fades with them ...