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On the review aggregator Rotten Tomatoes, Ghost holds a 100% "fresh" rating based on 6 reviews. [2] Alan Ng of Film Threat called it "a fantastic piece of independent filmmaking". [9] Rich Cline of Online Film Critics Society wrote: "Artfully shot on an iPhone, this low-key drama is an original variation of the British crime movie. Filmmaker ...
Popularised in such films as the 1984 comedy Ghostbusters, ghost hunting became a hobby for many who formed ghost hunting societies to explore reportedly haunted places. The ghost hunting theme has been featured in reality television series such as Ghost Adventures, Ghost Hunters, Ghost Hunters International, Most Haunted, and A Haunting.
In 2001, Frank Carver, a young gangster for a mob enforcer named Max, witnesses his boss execute a former ally. Frank is asked to take the fall for the crime in return for $450,000 and the promise that his son, Joey, be looked after and cared for after the death of Frank's wife, Lorraine.
Full of the overwrought acting and super-saturated visuals typical of horror movies from the 1970s, this classic ghost tale features a physicist, his wife and two mediums who dare to spend a night ...
The site's critics' consensus reads: "Incident in a Ghost Land may satisfy horror fans in search of a nasty kick, but it's narratively flawed and decidedly not for the squeamish." [ 15 ] Metacritic gives the film a weighted average score of 44 out of 100, based on 4 critics, indicating "mixed or average reviews".
Ghost Game (film) The Ghost in the Invisible Bikini; Ghost in the Machine (film) Ghost of Honor; Ghost Rider (1982 film) Ghost Ship (2002 film) Ghost Story (1981 film) A Ghost Story; Ghost Town (2008 film) A Ghost Waits; Ghostquake; Ghosts Can't Do It; The Ghosts of Edendale; The Ghosts of Hanley House; Ghosts of Mars; The Gift (2000 film ...
The Ghost was shot in Rome. It is a Gothic re-imagining of the film Les Diaboliques (1955). [1] [3]The Italian production crew are credited by aliases. [4] The music score is credited to "Franck Wallace", whom Italian magazine Bianco e Nero and the Monthly Film Bulletin claim is a pseudonym for Franco Mannino. [4]
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