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Frank was born in Zürich, Switzerland, the son of Rosa (Zucker) and Hermann Frank. His family was Jewish. [3] Robert states in Gerald Fox's 2004 documentary Leaving Home, Coming Home: A Portrait of Robert Frank that his mother, Rosa (other sources state her name as Regina), had a Swiss passport, while his father, Hermann originating from Frankfurt, Germany had become stateless after losing ...
In 1949, the new editor of Camera magazine, Walter Laubli (1902–1991), published a substantial portfolio of Jakob Tuggener pictures made at upper-class entertainments and in factories, alongside the work of 25 year-old Robert Frank who had just returned to his native Switzerland after two years abroad, with pages including some of his first pictures from New York.
2016: Robert Frank: Books and Films, 1947–2016, HALLE 14 – Zentrum für zeitgenössische Kunst, Leipzig [16] 2016: Robert Frank: Books and Films. 1947–2016, Museum der Moderne, Salzburg [17] 2016: Robert Frank: Books and Films. 1947–2016, Kunsthalle Ziegelhütte, Appenzell [18] 2017: Robert Frank: Photos, Art Institute of Chicago ...
Leaving Home Coming Home: A Portrait of Robert Frank is a documentary that showcases personal and in-depth interviews conducted by Gerald Fox [1] it was released in 2005 on The South Bank Show Frank shares his thoughts and emotions throughout the film regarding his adopted hometown, New York City, and how it has transformed over the past five decades. [2]
Frank R. and William B. Fageol, with Louis H. Bill, built and marketed what was to be the most expensive luxury car of the time using the Hall-Scott aircraft engine. Marketed as the "Fageol Four Passenger Touring Speedster", only three were known to have been produced before the government took over the engine manufacturing plant to build war ...
Both Robert Irwin and his sister, Bindi Irwin, 24, took their driver’s tests in the car and the vehicle “still comes on road trips to this day,” the younger Irwin revealed on Instagram.
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Louis Faurer (August 28, 1916 – March 2, 2001) was an American candid or street photographer.He was a quiet artist who never achieved the broad public recognition that his best-known contemporaries did; however, the significance and caliber of his work were lauded by insiders, among them Robert Frank, William Eggleston, and Edward Steichen, who included his work in the Museum of Modern Art ...