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Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
[1] [3] The paper and cardboard used is mostly waste paper, such as old newspapers and boxes, with decorative elements, such as crepe paper being new. [2] [5] Most shapes are created with molds, then painted with acrylics. [5] Most of the production since colonial times has followed the annual calendar of religious and civic events.
Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layered. [1] Papermaking by hand is also a paper craft.
The skilled artisans involved with this painstaking process are called Paper Mache makers. The materials involved with this process are discarded paper, cloth, straw of rice plant, which are mixed and made into a pulp. [7] The paper, after immersing in water for 4–5 weeks, is taken out and made into a pulp and dried.
The Linares family in Mexico City are among the best known practitioners of a craft known as “cartonería” or the use of papier-mâché to create hard sculptured objects.
The village of Fedoskino (Федоскино), located not far from Moscow on the banks of the Ucha River, is the oldest of the four art centers of Russian lacquer miniature painting on papier-mâché, which has been practiced there since 1795.
This provides a thicker base and smoother finish for the craft. Taka is also painted. The traditional way of painting a taka is to use primary colors, add simple flower motifs and use repetitive lines and shapes. Gold finish, usually used in angel, reindeer and huge taka is accomplished by using gilded paper. [1]
Cartonnage of Nespanetjerenpere, ca. 945–718 BCE. Linen or papyrus mixed with plaster, pigment, glass, lapis lazuli, 69 11/16 in. (177 cm). Brooklyn Museum, 35.1265.. In a technique similar to papier-mâché, scraps of linen or papyrus were stuck together with plaster or resin and used to make mummy cases and masks. [3]