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Quintal first inversion of C sus4, where the fourth is the bass note. Each suspended chord has two inversions. Suspended second chords are inversions of suspended fourth chords, and vice versa. For example, G sus2 (G–A–D) is the first inversion of D sus4 (D–G–A) which is the second inversion of G sus2 (G–A–D).
The second inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the fifth of the chord is the bass note. In this inversion, the bass note and the root of the chord are a fourth apart which traditionally qualifies as a dissonance. There is therefore a tendency for movement and resolution. In notation form, it ...
This media depicts a chord outside of a specific musical context. Chords consist of an unordered collection of pitches outside of time (no " distinctiveness "), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions.
This makes it an inverted chord; The bass note is not one of the notes in the chord. Such a bass note is an additional note, coloring the chord above it. Such a chord is also called a slash chord. Examples with bass note in red: C major chord in root position close position (C), open position (C), first inversion (E), second inversion (G), and ...
This produces two main chord types: the suspended second (sus2) and the suspended fourth (sus4). The chords, C sus2 and C sus4, for example, consist of the notes C–D–G and C–F–G, respectively. There is also a third type of suspended chord, in which both the second and fourth are present, for example the chord with the notes C–D–F–G.
For instance, if a piano piece had a C major triad in the right hand (C–E–G), with the bass note a G with the left hand, this would be a second inversion C major chord, which would be written G 6 4. If this same C major triad had an E in the bass, it would be a first inversion chord, which would be written E 6