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Mariwasa stopped trading in the stock exchange in December 1999, decided to close its main tile manufacturing plant in 2001 in Rosario, Pasig, [7] and defaulted in 2003. Mariwas took a $14.5 million loan from the International Finance Corporation in 1999 as part of a restructuring of Mariwasa's financing and operations.
Earthenware vessels in the Philippines were formed by two main techniques: paddle and anvil, and coiling and scraping. [2] Although a level of highly skilled craftsmanship is present in the Philippines, no evidence of kilns are found, primarily because the type of clay to be found in the archipelago can only withstand relatively low temperatures of firing.
Jingdezhen, a hub for Chinese ceramic production in Jiangxi, was a main source of high quality porcelain that dominated the international Chinese porcelain market. [2] By the end of the 14th century, primary production sites in Jingdazhen shifted from bluish-white colored wares to predominantly blue-and-white porcelain. [2]
At the age of 18, she was appointed Assistant to the President of the Mariwasa Group of Companies. From 1970 to 1981, she was curator and proprietress of her own art gallery, Galerie Dominique. In 1982, she became team manager of the Mariwasa basketball team of the Philippine Basketball Association. The following year, she took ownership of the ...
Emerson Coseteng – President (Mariwasa Group) Walter Euyang (Universal Textile Mills, Inc.) Domingo Itchon (Elizalde and Co., Inc.) Leonardo "Skip" Guinto (San Miguel Corporation) Jose "Dondo" Lim III (Concepcion Industries, Inc.) Enrico Villaflor (Seven-Up Bottling Company of the Philippines) Porfirio Zablan (CFC Corporation)
During the early 1900s, Don Jose Machuca y Romeo was the foremost producer of Mediterranean tiles in the Philippines. His son, Don Pepe, an Audencia, established Mosaicos Machuca in an ancestral house located on Calle Tanduay in San Miguel, Manila, while the tile factory itself was situated beside the Pasig River.
A jar from the Philippines housed at the Honolulu Museum of Art, dated from 100–1400 CE. In Kalinga, ceramic vessels can be used for two situations: daily life use and ceremonial use. Daily life uses include the making of rice from the pots and the transfer of water from nearby water bodies to their homes.
Tiles with a thicker color layer – at least 2.5–3 mm (0.098–0.118 in) – suffer less from this effect. The surface hardness of the color layer: depends on the quality of the white cement, on water absorption and on the strength of the tile surface. If the tile has a harder surface, it will become shinier with time.